I've been thinking about the conversations had following James Malisewski posts from OSR Con in Toronto, and him playing with Ed Greenwood. Many peoples seem to have an instant dislike of any would be thespians at the game table. It reminded me of a poll at Dragonsfoot way back, when the level of engagement in the game was the focus of the poll. The result was that most people there treated AD&D as if it was chess, or Monopoly.
From what I have gathered, the prevailing wind in these parts are kind of the opposite but with a healthy dose of simulationism as a side order. Way back the periodicals had articles espousing the values of acting, talking and being in character. Add to that an influential designer who seem to value realism really, really high and you have a bunch of kids who grow up to be either sim earthers or drama queens. Yeah, I am exaggerating.
But, what about me? Well. I have found that I becomes quite bored if all I do is roll the dice and have to treat my character like a chess piece. Outrageous accents just makes me more engaged. Now, if you are to treat the characters as game pieces, having many and detailed choices to make in the game makes it far more fun. Actually, I think this is where 3rd and 4th D&D really shines. You can happily play without any hint of "acting", and still have a game where you have a lot of things to do. On the other hand, a game like the older editions of D&D or T&T where combat rounds are minutes long and everything is abstract I think the game becomes boring unless I get to engage in a little extra like at least yell something in a funny voice when rolling to hit.
Now, with more abstract games, and more up to GM fiat and player inventiveness you would gather that those games should leave more opportunity for the players to express themselves by doing more thespians experiments. I mean, they do have less rules baggage to weight them down, and more freedom to interpret what abilities and limitations their characters suffer from, right?
Maybe I am off on a totally wrong track here. There's not like there's any strong causality involved or something like that. Somehow the world is not the way I expected it to be.
Let me also add that I think the level of pretentiousness is important. Even when I was quite enthusiastic about it (yes, I was!), Vampire: The Masquerade was a game I liked best when I never met the guys (and gals!) who played it. The same thing is true about things like freeform and "jeepform" which are way to game which makes my stomach turn. That's when I think the would be thespian ought to go to drama class and leave me to my roleplaying game. I just hate the combination of acting, pretentiousness and RPGs. When I act out a bit I goof off. It might be serious, but I am playing a game.
There's more to it than rules density.
Showing posts with label Styles of Play. Show all posts
Showing posts with label Styles of Play. Show all posts
Wednesday, August 24, 2011
Wednesday, March 16, 2011
What do we do when we play?
I remember seeing this a short while back, and I saved the quote. Well put, well put indeed.
We don't explore characters; we explore dungeons.It makes a hell of a lot of sense to describe old school play like that. Sometimes I think some people don't appreciate how much can be contained in the idea of role playing.
Thursday, November 18, 2010
The point of NPCs, and styles of play
This morning I met an old friend whom I used to game with. We chatted a bit about life, work and family before delving deep into our gaming experiences since last time. Since I split from a game after inheriting this friend's character I talked a bit about why that game didn't appeal to me. This made me verbalize a few things which I've been thinking but never before put into words. I'll try to share some of that insight here.
I was playing in this game where we were young adults in a weird kind of post-apocalyptic fantasy world with religious overtones. It kind of made me think of the Alvin Maker series by Orson Scott Card. We all had some Gift, and our village felt like some kind of religious commune. Since everything around the village, out in the woods, is dangerous and strange we all had the roles of rangers in training. After having encountered some soldiers and had a big fight there erupted a thunderstorm and when our village elder visited the druids in the wood afterwards we learned that he had made a deal for us to stay for one year in the village, not trespassing into their realm.
So, here we were, sitting for a year in the village with a bunch of refugees from another village which had been invaded by the soldiers we'd fought. Note that this year was not to be glossed over. We were expected to play it out, in a fairly low pace. That is, we would spend the game chatting with ourselves and "getting involved" in the refugees and other NPCs in the village. Character based soap opera, in other words. I quit the game.
I realize I'm already a bit long winded, but will now get to the point.
What are the point of NPCs in your game? Sources of information? For you and the players (I'm writing this from the point of a referee here) to interact to find out more about that NPC's inner life or maybe develop the character you're playing?
Now when thinking of why a soap opera game was to contrary to all my wishes, I managed to narrow down what I like with roleplaying as the possibility to explore a secondary world. Using NPCs you can showcase how someone who knows this world acts and thinks. Basically, they are they way the secondary world shows itself to the players. The NPCs are a way to make that world look like it breathes and moves while your players are not looking.
Contrast that with NPCs who are there in order for your players to get to express their longings from drama class. In that case you are interested in the NPCs for their own sake, and in the player characters for their own sake. Not for their actions, which is very different.
I've come to the insight that the latter way, especially combined with ideas like "freeform" or "jeepform" bores me to death. I want to play a roleplaying game not act in an amateur theatre group. If I wanted that I would be better served by finding an amateur theatre group, I think. Add to that the pretentiousness of some of the people involved in that kind of "gaming" and I feel like throwing up.
How do you feel about styles of play, and the roles of NPCs? It might be different, and it's totally ok. But, if you differ very much from how I feel, I doubt we will enjoy the same game for long. Now I at least have something to show people when they want to know what kind of game I like.
I was playing in this game where we were young adults in a weird kind of post-apocalyptic fantasy world with religious overtones. It kind of made me think of the Alvin Maker series by Orson Scott Card. We all had some Gift, and our village felt like some kind of religious commune. Since everything around the village, out in the woods, is dangerous and strange we all had the roles of rangers in training. After having encountered some soldiers and had a big fight there erupted a thunderstorm and when our village elder visited the druids in the wood afterwards we learned that he had made a deal for us to stay for one year in the village, not trespassing into their realm.
So, here we were, sitting for a year in the village with a bunch of refugees from another village which had been invaded by the soldiers we'd fought. Note that this year was not to be glossed over. We were expected to play it out, in a fairly low pace. That is, we would spend the game chatting with ourselves and "getting involved" in the refugees and other NPCs in the village. Character based soap opera, in other words. I quit the game.
I realize I'm already a bit long winded, but will now get to the point.
What are the point of NPCs in your game? Sources of information? For you and the players (I'm writing this from the point of a referee here) to interact to find out more about that NPC's inner life or maybe develop the character you're playing?
Now when thinking of why a soap opera game was to contrary to all my wishes, I managed to narrow down what I like with roleplaying as the possibility to explore a secondary world. Using NPCs you can showcase how someone who knows this world acts and thinks. Basically, they are they way the secondary world shows itself to the players. The NPCs are a way to make that world look like it breathes and moves while your players are not looking.
Contrast that with NPCs who are there in order for your players to get to express their longings from drama class. In that case you are interested in the NPCs for their own sake, and in the player characters for their own sake. Not for their actions, which is very different.
I've come to the insight that the latter way, especially combined with ideas like "freeform" or "jeepform" bores me to death. I want to play a roleplaying game not act in an amateur theatre group. If I wanted that I would be better served by finding an amateur theatre group, I think. Add to that the pretentiousness of some of the people involved in that kind of "gaming" and I feel like throwing up.
How do you feel about styles of play, and the roles of NPCs? It might be different, and it's totally ok. But, if you differ very much from how I feel, I doubt we will enjoy the same game for long. Now I at least have something to show people when they want to know what kind of game I like.
Subscribe to:
Posts (Atom)
Copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016 Andreas Davour. All Rights Reserved. Powered by Blogger.